You hear the clings and clangs
Of the shackles
Of the shackles
Of the brave African warriors,
As they are being led
Into European dungeons.
You see the whips
Of the slave master,
Tearing off the black flesh
Of your black brother.
And you hear him screaming
And you hear him screaming
And cursing
In his native tongue.
But don’t worry,
But don’t worry,
Be happy.
Because you are not the one in shackles;
Because you are not the one in shackles;
And your flesh is not the one interacting with the whips
You hear the crazy chants
You hear the crazy chants
Of the Ku Klux Klan
As they hunt down
The men and women
Who have the devil’s complexion.
And you hear the screams
And shrieks
And shrills
Of the black woman
As she is being raped;
Not raped to be set free,
But raped to be murdered afterwards.
You hear the silent sobs
You hear the silent sobs
Of the little black boy
As he watches his sister,
His mother,
His grandmother
Being RAPED by men
Who have the angel’s complexion.
You hear Martin Luther King
You hear Martin Luther King
Shouting at the top of his voice,
“I have a dream!”
And that phrase
And that phrase
Echoes
And echoes
And echoes
And echoes in your head
Till you can bare it no more.
But don’t worry,
But don’t worry,
Be happy.
Because you are not the one being raped;
Because you are not the one being raped;
And you are not the witness of any racial rape.
You hear the rattling
You hear the rattling
Of the machine guns
In the Hutu-Tutsi land
And you hear the swish swash
And you hear the swish swash
Of the Hutu machete
As it slashes and chops off
The heads of the Tutsi family.
You see their heads rolling
You see their heads rolling
In the bright blue sky;
Acrobatics.
You see their heads spitting out blood and brains.
And you smell the stinky
You see their heads spitting out blood and brains.
And you smell the stinky
Rotting
Bodies,
Piled up
As high
As Kilimanjaro;
Black dead bodies
Dead black bodies,
Left to rot.
You hear the cracks
You hear the cracks
Of the bones
Of the black man
As the apartheid dog
Sinks its white teeth
Into the black bones
Of the black barbarian.
You hear him scream
You hear him scream
In pain
As he is being masticated alive.
But don’t worry,
But don’t worry,
Be happy.
Because you are not the one being beheaded;
Because you are not the one being beheaded;
You are not the one being chewed alive.
You hear the rattling
Of the machine guns
In the northern deserts.
And you hear the shouts
And you hear the shouts
Of the rebel leader,
“Allahu Akbar!”
As he pushes the final bullet
Into the body of the great oak tree;
The final bullet
That will silence the great oak
Forever.
You watch
You watch
As the stubborn occupant
Of the white throne of tusks
Is elevated;
Not elevated to a higher ground,
But elevated
From his throne
Into the dungeon.
You hear gunshots
You hear gunshots
Between the Bible
And the Quran.
You see bombs
You see bombs
Being hurled
At the churches
From Bokko Haram.
But don’t worry,
But don’t worry,
Be happy.
Because very soon
It will be your turn.
So don’t worry,
Be happy.
when i read this dramatically it really gets to me, and you tell me not to worry? I think you're being very sarcastic here. although most of the things you made mention of are things we've never witnessed here in Ghana, they are still things that happen or have happened around us and so it does concern us in a way. I think your use of sarcasm is a way to tell us that "hey, this needs to be our concern".
ReplyDeleteA thought-provoking piece, I'd say.
yes, it really needs to be our concern. i wonder why all the other African nations aren't doing anything about the Boko Haram issue in Nigeria.
ReplyDeletethere is no doubt, my friend, that you are a dramatist through and through. i see here a colourful and a consciously artful attempt to inject poetry with 'vaccines' of drama. this is not to say you are the first to create this kind of hybrid but to give you thumps up for your unique,yet, masterly 'rendition' of 'hybrid literature'. although i think the stanzaic structure of the poem needs revision, there is no doubt that the dominant use of sarcasm and the innumerable sound devices echo and re-echo the slings and arrows, the cries and the seeming curse of people with 'the devil's complexion'.good job, even though,like you, i doubt these serious words will shake Africa from slumber because our leaders are as so hard of hearing as are stubborn children in polygamous marriages...
ReplyDelete